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Wednesday, February 03, 2010

 

Journalist To Novelist In One Step


©2010 Daisy Getty Design
Six years ago I quit my job as a newspaper reporter to go write books.

No. Not just books.

I quit my job as a journalist to go write novels.

Fiction.

Now, given the current condition of the newspaper industry, that probably makes me look like a genius to some, as though I ought to be waxing rhapsodic on the eve of my debut novel's publication. ["Boon" is available in stores and online. View the trailer at YouTube, read an excerpt, or visit WhatTheBoon.com.]

Indeed, several newspaper friends have inquired in recent weeks as to how they might do the same thing. How, they ask, does a journalist becomes a novelist?

"How?"

I've written and rewritten the answer to that question at least 100 different ways in the past week, all of which amounted to very poetic piles of steaming horseshit.

You want to know how? My answer is "no."

No.

Few journalists have ever accomplished anything worthwhile without first hearing "no" -- No, you can't talk to him ... No, you can't have that document ... No, you aren't allowed -- so that's my answer.

No.

When I started down this road, back in 2004, my life was good. I'd been a journalist for 15 years, more than half of which I'd spent writing for a growing, mid-sized newspaper in suburban Los Angeles. It was a dream job, well, as close as I was going to get to a dream job in journalism anyway, and the only job I wanted at that particular paper, a position that allowed me to spend weeks at a time researching and writing in-depth stories, but with enough flexibility to also dive into bigger news events as they occurred -- murders, manhunts, wildfires. Sure, if The New York Times had rung me up and invited me to come work for them, I'd have gone, but the only reason anyone from that paper ever called was to pitch a subscription special, and, well, I was OK with that.

The trouble was, I never intended to spend my life working for newspapers.

The only reason I got into it was because newspapering was the route most of my favorite writers took -- Twain, Hemingway, Thompson. Journalism was a way to see the world, or, at least, more than I would have seen otherwise. Writing for a newspaper provided me the kind of access no amount of money could buy, not that I had any money to begin with. I met heads of state, royalty, saintly people, and heartless scoundrels. I heard tales of tragedy, loss, and redemption straight from those who'd experienced it, and sometimes I even saw an injustice put right because the newspaper published a story about it. My experience was no more remarkable than any other reporter's, but I loved it, all of it, even the hate mail and the threats, which I quickly learned to interpret as indicators that I was doing the right thing.

But, then, one day I just woke to the realization that I'd stayed too long.

The newsroom reaction to my departure was mixed. Some of my colleagues were very supportive, while others treated me like a silly heart, as though the pressure had finally gotten to me, their well wishes the sort of sweet nothings you'd expect to see inscribed on Valentine candies.

"Good luck."

"You're brave."

My sources in government circles shared with me the wildest explanations they'd heard, gossip about how I'd finally stepped on the toes of some pol powerful enough to demand my dismissal. A few even offered to speak to my boss on my behalf, in defense of my job. A book? Even they could have made up a better excuse than that.

The most frank assessment came from one of my favorite editors, who, I'm glad to say, is still a good friend. She called the move "a mistake."

It was the most wonderful thing anyone could have said to me.

"A mistake."

It was the same as saying "no."

No, you can't have that. No, you can't go in there. No, you're not on the list.

So, how does a journalist become a novelist? There's not much in the how-to realm of writing that hasn't already been said so many times in so many books that bookstores dedicate entire sections to the issue. About all I can add is what you're bound to hear thousands of times before, during, and after writing your first damn book:

No.

No, you can't do it. No, you'll never do it. No, don't even try.

No.


More information about TJ Sullivan's debut novel "Boon" is available at WhatTheBoon.com.

An excerpt of "Boon" is online at TJSullivanLA.com.

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Sunday, January 31, 2010

 

Official 'Boon' Web Site Now Online


— Artwork © 2010 Daisy Getty Design —
The official Web site for my novel, "Boon," went live Sunday night.

The new site offers readers an opportunity to learn more about the book, its characters and setting (be sure to check out the character profiles). There's video and audio, as well as events listings, and press info.

Check it out at: WhatTheBoon.com.

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

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Thursday, January 28, 2010

 

'Don't Ever Tell Anybody Anything ...'


If you really want to hear about it, the first thing you'll probably want to know is where I died and what my lousy adult life was like, and how I could turn away from writing and all before you were even born, and all that Harper Lee kind of crap, but I don't feel like going into it, if you want to know the truth ...

RIP J.D. Salinger.

The New York Times obituary.

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

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Tuesday, January 26, 2010

 

Boon: A Novel, and Playlist



When I was outlining my novel "Boon," I created a playlist of songs with themes similar to those in the story, or that I identified with particular characters. This is that playlist.

Also ... I'll be the guest at tonight's SPJ-LA Mixer in Downtown LA. More info at LAObserved.com

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

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Wednesday, January 20, 2010

 

First Book Signing Set for 'Boon'




The first book trailer for "Boon" is online [short version above, full-length version at right]. Although the concept of book trailers may seem odd to some, it's becoming more common in the book industry for both fiction and non-fiction. I'm interested in hearing what you think about the concept.

Also ... I'll be making my first official appearance as the author of "Boon" on Tuesday, Jan. 26, at the Society of Professional Journalists - Los Angeles Chapter Mixer in downtown Los Angeles.

The mixers are very casual, so I expect to keep it brief, a Q&A perhaps, more of a conversation than a "talk." The focus of the discussion will be the journey from journalism to fiction. I initially referred to it as a "road" from journalism to fiction, but changed my mind as the word "road" implies that there is a distinct path between the two worlds, which, in my experience, is not the case.

There will be no reading. I learned long ago to never read aloud in a bar. But, I will gladly sign a few books.



THE LOWDOWN:

WHEN: Tuesday, Jan. 26, at 6:30 p.m.

WHERE: The back room at the Redwood Bar and Grill, 316 W. 2nd Street in downtown LA; 213-680-2600. Street and lot parking is available in the area. The bar is close to the Civic Center Red Line Metro stop.

COST: It’s free fun for all! (You’ll have to buy your own drinks. Happy hour ends at 7 p.m.).

SPJ-LA asks that you let them know you’re coming by sending an e-mail to: spjlosangeles@gmail.com.

More info is available in the SPJ press release on the event. Download it in pdf format. Or, view it online at the SPJ-LA Web site.

Hope to see you there.

More information about "Boon" is available on the Books page.

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

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Sunday, January 17, 2010

 

Can This Machine Save Bookstores?



Will bookstores become extinct?

I don't think so, and here's just one reason why: The Espresso Book Machine.

The ability of the EBM to create books on-demand at the point of sale not only makes it possible to greatly reduce the amount of real estate that bookstores have to lease (shelving one sample book of every current title takes a lot less space than shelving dozens), but it also eliminates shipping costs, and ensures that no bookstore will ever run out of a particular title. In green terms, it means far less books will be returned to publishers [to be destroyed] since books will only be printed on-demand.

Pretty cool stuff.

The EBM was in the news again this week with the announcement of a new agreement with Xerox. As the LA Times Jacket Copy blog highlights in its January 14 post, the EBM is expected to show up at seven new venues this year (mostly university libraries and bookstores). Bookstores have so far been slow to embrace the EBM, both because of the cost (about $125,000 per machine, says Jacket Copy) and concerns about digital files and piracy (the EBM makes it possible to print more than 2 million books in Google's public domain catalog, which has been the focus of much legal wrangling).

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

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